Bad Theology: Busted | Episode 6 – Christian Zionism in the U.S. Black Church
Today we’re excited to connect with Josiah R. Daniels, Rev. Keyanna Jones Moore, and Rev. Dr. Reggie Williams. During our conversation this month, we will dive deeper into how Christian Zionism shows up in the spiritual and political realities of Black Christians in the United States.
Resources mentioned:
- Bonhoeffer’s Black Jesus: Harlem Renaissance Theology and an Ethic of Resistance by Reggie Williams
- The Cross and the Olive Tree: Cultivating Palestinian Theology amid Gaza edited by John and Samuel Munayer
- Jesus and the Disinherited by Howard Thurman
- The Message by Ta-Nehisi Coates
- One Day, Everyone Will Have Always Been Against This by Omar El Akkad
- Perfect Victims: And the Politics of Appeal by Mohammed El-Kurd
- ‘I’m so dehumanized’: Journalists say U.S. newsrooms treat Palestine with fear and contempt by Laura Albast via Prism Reports
- Want to Love Your Neighbor? Grieve With Them By Elom Tettey-Tamaklo via sojo.net
- What is neutrality bias, and why do we need to address it? by Gina Baleria via the Wayback Machine
- Department Press Briefing – February 14, 2024 Matthew Miller, Department Spokesperson via state.gov
- Georgia International Law Enforcement Exchange (GILEE)
- Highlander Folk School
- Shalom Hartman Institute
- Video of “flying checkpoint” in North Georgia
- The Wayback Machine
- John Coltrane: A love supreme
Inst. for the Study of Christian Zionism
The ISCZ is the primary resource for the study, critique, and response to Christian Zionism.
Friends of Sabeel North America
Seeking justice and peace in the Holy Land through education, advocacy, and nonviolent action.
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Credits:
- Original music: Karl Saint Lucy & Danny Frye (feat. Rev. Dr. Munther Isaac) – “The Path Forward”
- Produced, written, and performed by: Karl Saint Lucy (ASCAP) & Danny Frye (BMI)
- Featuring sampled speech by: Rev. Dr. Munther Isaac
- Drums, mixing, and mastering: Danny Frye
- Keyboards and programming: Karl Saint Lucy
- Logo design: Dee Roberts
